Good evening to all the spiritual lovers gathered here.
May all beings live happily! Tiruchirambalam!!
Today, let us enjoy the next lines of Vinayagar Agaval.
The next line is “Aaradharatu Angusa Nilyum
Pera Machipi Bekkarai Aruthe (36)”.
The magnificent Suzhimunai Nadi enters the middle of the Itakalai and Pingalai Nadis from below to above in a vertical path like the thread of a lotus and spreads throughout the body. Since the Suzhimunai Nadi is like a silver wire, it is said that it is like a lotus thread.
Knowing the form of Shiva within the Aadhar
Change to non-discrimination archi (74)
Meaning: One should see the form of Shiva within the Aadhars and worship that Shiva without discrimination (without doubt).
Gnana Methuphuura: One should first know what the Aadhar is. The seven sources mentioned in the yoga texts are Muladhara, Swadhittana, Manipuraka, Anagatha, Visuddhi, Aakini, Sahasrara. It is said that six sources are located in the spine of the body and the seventh source is located at the top of the head. This is known to everyone.
Furthermore, the organs of action and the organs of knowledge are located in the body. Karma can be overcome with the organs of action. Knowledge can be attained only with the organs of knowledge. Knowledge cannot be attained with the organs of action, says the Siddhas of the wise.
Therefore, there is no knowledge below the head. The head itself – the head is the main thing. Knowledge can be attained only with the head. The six sources can be present only in the head. The main sense of the head is the eyes. The eye is the source of everything. If the eye goes, sound also goes; light also goes. “The sun salutation of the eye is the way of the evil eye.” This is what our ancestors have implicitly said.
“Putting down the comfort of the root,
Taking the mature top,
Looking at it,
Climbing beyond your home with a form,
You have entered into a terrible power of knowledge!
Sitting in the silence of the Kesari called the bridge,
In the mantra of Paraparamam, knowledge is complete,
Time passes by birth and birth,
Like a forsaken sutra, the body is like an abandoned sutra.” (Sattaimuni – Mun Gnanam 6th song)
Having seen the root from the beginning,
After knowing the melting vortex,
Having seen the Sambhavi on the mind,
Having become calm and composed,
This is the path of yoga where twelve feet stand;
Where there is no day or night, this is the path of knowledge;
If he sees the virgin standing alone, he is the wise one
Who will show you Kesari, O heaven. (Sattaimuni – Mun Gnanam 10th song)
This eye contains the six elements of the six signs. Moreover, the five elements also reside here and give the eyes the cosmic power. This is an amazing thing. But, the true essence is this one.
Whoever is reading this book, they will all attain Shiva. Because, with the grace and consent of our living Guru, Sri Sri Paramahansa Sundarananda Maharishi, the true knowledge of Shiva that no one has revealed, and with his motherly compassion, we reveal this true truth for the spiritual quest of the people of the world. Everything is the grace of the Guru, the work of the Guru. There is nothing else but His work. Yama is his slave.
The Siddha sages, who came to explain the powers that are based on the six sources, have said that the mind that wanders a person, like an elephant that has become religious, does not wander in worldly desires, but “wisdom” acts as a restraint that regulates it! Just as restraint is needed to tame an elephant, the source of action is the six sources of action, the all-wise Guru explains and makes it clear that the restraint method of wisdom is used.
Let us look at a song by Thirumoola.
The viewer has five milch cows inside him.
Without a shepherd, they seem to be drunk.
If there is a shepherd and the drunkard is also subdued,
The viewer’s inner milk cows will also flow like milk (Th.M.)
The metaphor in the Thirumantra song is different. Here, while the narrator says restraint, Thirumoola says ‘shepherd’ (meaning the one who suppresses).
When the mind is subdued through this power of knowledge that occurs in the six sources, each The yogis say that the functions of the senses are decreasing.
When a person is in a state of yogic state, both the sense of sight and hearing are decreasing. The nose becomes as if it has lost its breathing and is in a state of samadhi. The tongue refuses to taste.
Even the sense of touch is unknown and disappears.
Thirumoolar says this. That is, what he says about ‘dairy cows’ are our five senses. The five senses wander around without any way to control them (without a shepherd). The meaning of that song of Thirumoolar is that if a person controls those five senses properly, he will attain the state of enlightenment.
This is what Avvaiyar also says, that if the five senses, like the elephant that roams around with religion, are controlled with the grip of “discretion”, then one can attain enlightenment.
That is the meaning of “the state of the five senses”.
“With an eye that does not see, a question that does not hear, a journey that does not go, a gathering that does not gather, a shameless shame, a teaching that is not seen, you have come and shown me, Nandi,” is the saying of Thirumoolar. Yes, when we experience the state of silence, our speech will be cut off! This is what many who have learned the state of yoga say. This is what our Tamil wisdom poet Avaiyar says, “Stop talking and cut off speech.”
The next line: The letter of the middle Pingala declares
The head with a curved face is shown (38).
Kundoli is the seat of Pranava. The mandalas are the solar system, the lunar system and the fiery system. Akara, Ukara and Maharam are located on our face in the shape of फ.
Above these three, Pranava shines as a red cloth. Within it, Shiva gives us life and shines in the central part. If we always think of this elephant, which is our life, we can cut off our birth.
The existing prana will also rise inside
The universe will spread along the stem
The universe will rise along the expanded flower
The universe will blossom, and the universe will live (D.M.817)
Kundalini has been personified as a flower. The reason why it is called an expanded flower is that it has two ends and goes in two directions like an expanded flower. That is why it is said to be expanded. Now it is in a state of being guided by the spiral nadi. All this is an event that happens inside due to our thoughts. Prana also rises inside the stem along with that expanded flower, Kundalini, and the universe will be included. In this way, the universe blossoms. This is not a state of disappearing and dying. It is a state of being alive forever.
The art of the closeness of the heat
The art of the four is the number of the number
The art of the closeness of the heat
The art of the one is the completeness
The perfection is known as the perfection (D.M. 1990)
The four elements, namely, the sun, which is called the right milk, the fire, which is called the fire, which is called the fire, and the middle element, which is called the art, are called the art. The right milk, the fire, and the middle element, which is called the fire Without imagination, go through the fire path
and seek the golden light that created all creation
and run with enthusiasm
and immediately attain the state of samadhi (D.M. 628)
Without scattering thoughts, concentrate the mind and keep the gaze, mind and prana on the Kundoli Shakti and move it upwards through the vortex path, seeking the golden feet of the Lord, the beautiful light that has beautifully carved and created this entire world, and realizing the Lord through knowledge, Shiva and Self are not two (Agam Brahmasmi) and are merged together, the state of samadhi is achieved.
For the yogi who runs with the trunk and runs headlong
The three mandalas are in harmony
Those who see, How do I know that?” I asked.
To that, my Satguru said, “Son, Shiva Nesa. This is how it is,” and stood at my back and started tapping on some vertebrae from bottom to top on my spine with his fingers like a garden, as if light were falling on my body. 30 seconds had passed. Small, subtle sounds began to be heard from my vertebrae. I started hearing those sounds for almost 10 minutes. I could not believe my ears. How can the mouth alone produce sound? God Himself has given us ears to speak, sing and make sounds. So how is it that the vertebrae are emitting sound? How is this possible? What should I ask my Satguru, who has such wisdom as his body, breath and light? Still, I gathered courage and tried to ask. My fellow sister Gnanambala was also nearby. She did not want to hear me. She kept saying silently, “Take it in, take it in, Shiva.”
Understanding Gnanambala’s silent language, the Guru said, “What, Gnanambala, what are you doubting about? If you want to ask something, ask. Why are you provoking him?”
Before Gnanambala could answer, I interrupted and said, “You have to be patient, Guru. She was trying to make me understand in many ways that I should listen to the wisdom you are telling me quietly without any other thoughts and absorb it. She was asking me where the sounds that are rising in my spine are coming from, how are they reaching my ears, and whether my brain is registering these sounds, Guru,” I said.
“Then, Shivanesa, try it. Let me test and see if you can raise the sound in my spine like this.”
“What, Guru, are you playing, you are a wise Guru who has attained Brahman. I am a novice student. How can I test this wisdom like this? That is not possible, Guru,” I said.
“Hey, how many times do you have to learn a lesson. How many times do you tell your little tree that if the Guru says it, you have to do it. Why don’t you immediately look into it?” he started to answer.
It seemed that he would not leave us. I was wide awake wondering what to do. I started to imagine what my Satguru was doing before he touched my back again? What were his physical movements like? In what position were his feet? I started to bring it all back to my mind’s eye. Now I could clearly see that the Guru’s mouth was continuously muttering some word. I discussed this with Gnanambala. I asked if this was the word the Guru was muttering. She thought for a while and said, “Yes, Shiva, but he was saying another word along with it,” and murmured that word in my ears. The Guru was watching all these activities of ours and smiling. About 15 minutes passed. I started mumbling the words that came from the Guru’s mouth in my brain. Not with my mouth; in my brain. My brain, which initially refused, must have passed 1 minute. After that, my brain started emitting different types of magnetic waves. The vibrations of those magnetic waves were somewhat in line with the words I had recorded in my brain. I immediately absorbed the Guru’s words even better, recorded them in my brain, and started waiting for their frequencies. It must have been a minute or two. The magnetic waves that came out now were almost correct compared to the magnetic waves that came out earlier. But they were not yet perfect. I started thinking that I should absorb them even better. That’s when I remembered that I had forgotten what my Guru’s feet were doing. I immediately started concentrating the feet on the silent point of Mahara. The next moment, my brain started reflecting the Guru’s mantra words, and then after a while, it started expressing the correct sound waves and their magnetic vibrations as waves. Wonderful, wonderful. Just like that, I grabbed the Guru’s words and started taking them inside the soul’s nest.
Immediately, Gnanamba said, “Shiva, time is passing. Guru has started looking at us with suspicion. Immediately enter the examination.”
I approved it and said to my Guru, “Guru, first I need one permission from you, no, two permissions. Will you give it?”
The Guru smiled and said, “That’s right, my son. Okay, enter the examination. But, the answer must be perfect.”
I accepted this and said, “Guru, the first permission is for me to examine you first. The second permission is for Gnanamba.”
Gnanamba said, “Hey, what a ridiculous idea you have, if you are caught in a trap. Will you examine the Guru? You have no idea. Are you going to make a big mistake? If you want, test me,” she said.
I was looking at the Guru without batting an eye. He answered with his own eyes that he agreed.
Immediately, I touched the Guru’s feet (not his feet) and bowed with my feet, and went to his back. I went to the bones on my back that the Guru had touched, repeated the mantras that the Guru had said several times, and just like the way the Guru had touched me, I touched and stroked them with a very, very delicate finger (I am not allowed to say that, dear friends) like a flower, like a breeze. About 5 seconds passed. From the next 6th second, whether you believe it or not, the melody of Sa – Ri – Ka – Ma – Pa – Tha – Ni started playing continuously for more than 1 hour. Gnana and I were mesmerized by this melody. My back emitted the sounds for only 10 minutes. But from the Guru, it started emitting for hours. I later learned from the Guru that there is a kind of bond – connection between these sounds and our three mountains.
When I tested this test on the spine of Gnanaambala, her spines also started resonating these seven sounds. No matter how many millions of homages and thanks I give to my Satguru who gave me this musical wisdom, it is all a tiny drop.
Our Satguru and I are now before you as examples of the above-mentioned Thirumanthra song. What the first line of the Thirumanthra says is that for a Jnana Yogi who has attained Brahmaranda by being united with the Veenadanda, the spinal cord, the three mandalas of Soma and Suryakini will be in harmony, pleasing to the physical eye. We humbly request you to now internalize and register in your brain that those who have seen this truth are the true Gnani who have seen the real thing. It is the ignorant who do not know this who are dying as the body produced by their actions perishes. The Gnani Yogis who have seen all the three mandalas will never perish.
The fasts taken do not diminish, but the yogi whose head runs along the stem, even after the three mandalas grow equally, will not be separated from the body (D.M.612)
If the yogis of Brahmanical wisdom remain united in the austerity of Brahmanical wisdom without diminishing the zeal they have taken, the three rays of light of the sun, moon and fire, which are in the Akara, Ukara and Mahakara, grow together and raise the light up through the Suzhimunai Nadi in the feet of the Lord, the body of those yogis of Brahmanical wisdom will not be separated from the life and will remain permanent.
The air that is condensed in the Nadi formed by the idea of Vallirele, who has created Bala Ravar, who has created Shiva, who has adorned the feet of the Lord with grace, is true. (Siva Vakkiyar)
The form should be solid. Which form is the form of the real thing. That is, the form of light visible in the pupil of the eye must be condensed. If it is to be condensed like that, the magnetic prana energy must be condensed into the real thing.
There is only one gas that is condensed into the real thing. That is the magnetic prana energy that comes from the universe. If the magnetic prana gas that has become a ball of light that is condensed in the vortex point nadi can be kept indestructible by thought and can be carried into the skull where life exists through the Brahmanadi, then even if the devotee is old, he will become young through this Brahmanical penance. The devotee’s body will become red, and these words are the truth at the feet of the Lord and Goddess, who are the embodiment of grace.
If this body is to be born,
the immortal source of this body,
the Yamirat prayer,
the mother, who is in the earth,
the Kundalini,
the mother, who is in the earth The state of self-awareness, the state of thoughtlessness, and the state of non-being (the mind is aware of the prana that has attained the state of awareness in another nadi. Since the prana that has attained the state of awareness in its own nadi is known, there is no talk about it) arises.
These are the songs that tell us to go beyond the Brahman.
The letter U in the middle is Ukaram, and the letter Akaram in the Pingala is A. Auvaithai prays to Lord Vinayaka to teach him these two vowels.
A is the right foot called Akaram; U is the left foot called Ukaram. He implores the Supreme God Ganapathi in many ways to make him feel these Akaram and Ukaram by touching them on the feet.
Finally, he asks for the head and the head called Kapala that are guarding inside the feet to be placed on the base of the feet. The two feet are located on the head, which is the skull. The Suzhimunai is inside those feet. Auvait Thai says, “Give me this Suzhimunai Peetha, O Lord Vinayaka.”
This is what she said, “Show me the Suzhimunai Kapal in the shop, declaring the writing of the middle Pingala.”
The next lines of information are: “The three zones of the three zones are revealed by the tongue of the four-legged snake (40)”
What does Auvait Thai mean by the three zones.
We would like to compare here what Lord Valla has said that those who learn the 96 physical principles and go through each of those principles individually with the grace of the Guru, attain the qualification to attain the light body.
Three zones: 1. Solar zone, 2. Lunar zone, 3. Fiery zone.
Solar System: The solar system is a hot zone that represents the right hemisphere and the areas around it.
Lunar System: It is a cold zone that represents the left hemisphere and the areas around it.
Agni Mandala: This is a mandala made of fire that has a direct connection with the universe, which has the cold and heat of the nectar that can give direct connection to life between the two eyebrows.
Moreover, our ancient Tamil Siddhas have been teaching their eminent disciples that these three mandalas are located in every foot. At the center of reality, at the silent point, the great power of the Agni Mandala is located. The ancient Tamil Siddhas called the entire parts of this vortex the Agni Mandala. They concealed this nadi as Neerupaaru, Maiirpalam, Olithindu and Olithakambam and sang the Brahmanical teachings.
These three mandalas are bound and connected by a pillar-like object. That is, these three mandalas stand in one place, touching each other. That pillar is the largest part of the brain stem located at the top of the spine. Scientists and doctors call this the PONS. It is located above the medulla and below the midbrain. Next to this is the pineal gland. These are groups of nerves that act as a connection between the cerebrum and the cerebellum. The end of the brahmanadhi goes from here towards the soul nest. These PONS nerves act as the connection of the nectar, carrying the energies of the nectar throughout the brain and carrying the nectar needed for the brain. When the above three zones start to collide together at the top of this pons nerve, the three mountains start to shake. Unless the energies of the solar, lunar and fire zones that carry the nectar together with the pons nerves come together, you will not be able to provide food for life. When your third eye is awakened, these PONS nerves will prepare themselves to work for you and for the flow of nectar.
This is what the sages sang, “The three-dimensional pillar of the three realms,” as words that encompass the secrets of the scientific Brahmanical tantras that can take place in our brain and spinal cord.
During the Brahmanical penance, a blue light from the feet of the devotee bends and writhes like a silver-striped snake towards the soul nest where life exists. These blue light waves move and move and flow rapidly, creating a kind of sound and rhythm, creating true feelings in the head. This is what the sages said, “I made the four-edged snake understand.”
The next lines of information are: “The Kundali, which is full of asaba, is revealed by the Vindeju mantra (42).”
The word Kundoli has become Kundali. Kundali can be called Kundoli or Kundoli.
Kundoli = Gundu + Oli.
Kundoli = Gundu + Oli.
This sound and light are produced only in the place where there is a lump. It is also active. Kundam refers to our two feet. Our feet are a wisdom organ that can be a lump. In those feet there is also the sound of sound; there is also the light of light. Light and sound are the basic characteristics of the feet.
We should practice the supreme wisdom penance using these feet by doing the wonderful wisdom trick taught by the wise teacher of knowledge. When we do the supreme wisdom penance in such a way, when this light and sound meet at a certain central point, friction starts to occur between the two. When such friction occurs, some kind of sounds start to be heard there. These are the sounds that all the great sages and Siddhas, including Thirumoolar, called the ten sounds. This is what you said, “The sound of the Kundoli is the sound of the Asaba.”
If we keep creating the ten sounds in the feet of the Lord, which are so dense, the life will blossom well and start giving us the nectar of Brahman like mother’s milk. Then the sound and light will combine with each other and pour the nectar into our brain like rain. There is a method for that. If we receive the Omkaram as a teaching from the Guru and perform the austerity of Brahman, that Omkaram will keep expressing the arts of Nath and Kantha inside and outside the devotee. You said that we can directly see and enjoy the movements and sounds that occur in the feet of the Lord, and you said, “Recite the Vindeju Mantra.”
The next lines of information: “The idea of raising the three-edged sword of the source with the foot is known (44).”
Source = Source + Aadarah. Whatever is the original source of all sources is the source. Here Lord Vinayaka can be the source of all our actions.
The word source does not refer to the source chakra as it is said in the Yoga Shastra. It refers to the source of sources. Wherever every thing arises, there is its source – the source.
Kundali is a variation of Kundoli. Kundam + Oli = Kundoli. Over time, it has become Kundali and Kundalini.
The source found above twelve inches above the crown of the head is the Dvaadasantha Chakra.
First, one should go to the source of air. There, where the air arises, it should be divided into two in four directions. After that, that air goes to the top and becomes filled with Shiva in the Dvaadasantha space twelve inches above.
That place is called a place without night and day by the wise yogis. What is the place without night and day?
Night is the lunar phase. Day is the solar phase. Wherever these two phases meet, that place is a time without night and day. There is night; but it is not night. There is day; but it is not day. It spreads and shines over a space of sixteen inches above the top of the head.
A song about the source told by the sage Sattai Muni Siddha…….
One source in the Kundali, which is shaped like a flower;
One source in the Barappa continent;
One source in the Pongana Puruvamaya;
One source in the famous semen;
One source in the Vangana Satyila;
One source in the Paraparam that is standing in the Maruvini
The wise man who has seen these six without stagnation
Is the Yogi who stands united with the three sources.
(Enlightenment Before Shirt – Song No.26)
Yakaram will stop from Amappa Nakaram
That is the source of yoga;
Thamappa Akaramutla Ukarand Touchutuch
Favorably through Mahavara Gnana
Omappa will see the direction of silence
Akanda Road
Yogic Siddhi by eating lust
Katunganat Balunda Gnana Mache.
(Enlightenment Before Shirt – Song No.27)
If you want to reach the Lord of God called Aran, you have to change the art of Idakala and Pingala and Rasi (combination) strategy. Gnana Methuphuura: In the song of Reddigudi Valmikiyar,
“When the Pingalai and Itakalai change
With knowledge, keep the mind at the tip of the vortex
And strike it as a single thought
With the help of the sivayoga Siddhiachchi
You can rule over a billion births like the mind”
He guides us to the work of knowledge by saying.
Idakalai is the lunar art. Pinggalai is the solar art. Kali is the bliss. Resakam, recithal is the joining together.
That is, the tantra of bringing together the solar art and the lunar art is the pingalai recithal.
What happens if the sun and the moon are brought together? That is the new moon day. It is only darkness, pitch darkness.
But when these two come together, it is like a full moon day, and we can see it from within and feel joy. This is what happened on an Amavasya Tithi when King Saraboji asked Abhirama Bhatta, who was meditating, “What is the Tithi today?” On hearing that, Abram Pattaro sang Thirumool to himself
“Brow gap right on the forehead
Gazing magic
Paraman’s presence regarding debt
I joined as Chirambalam” (D.M. 2770).
Duvatasantha performed the trick of racing the pulses of Itapingal outside according to the Thirumantra song, and inside he was enjoying seeing the face of Abhraama as full moon as the full moon, and said to the king, “Today is the full moon”. Then, the meditation broke and he realized that he had changed the date, and by the grace of Mother Abhirami, Abhirami Bhattar proved to the world that the trick of raking the arts is true. Only those who realize this know; others do not.
When the solar arts and the lunar arts come together, then only does the time for the sacrifice of knowledge of man begin. What is cultivated in sacrifice is fire. What is cultivated in the sacrifice of knowledge is the fire of knowledge. That alone is capable of giving us knowledge.
Both feet are raised and lowered, and both feet are happy
No one knows how to catch the wind
For one who knows how to catch the wind
That is the sign that kicks the bill (D.M. 571)
Leave the original hole open
Keep the upper mind on the upper hole
Keep the same eye open outside
This is the concept that conquers time (D.M.583)
The words “up and down” refer to Prana and Apanana. After heating the liquid Apanana at the bottom of the essence of the feet with the fire penance and transforming it into a spirit, that spirit Apanana should be mixed with the Prana at the top of the Pranava with the help of the nectarean air. If we understand the calculation of the fire penance that can make these two legs (Prana and Apanana) explode, then the subtle calculation of that penance is the calculation of time that can be done to prevent Eman from coming to us. This is the Brahmanical secret calculation that is told in verse 571 of this Trimantra. Without knowing this, the calculation of pranayama that can be done by moving the breath up and down in Ada Yoga will not be easy for Eman. We have revealed this great secret of wisdom so that today’s human souls should understand this well.
One should keep the eye like a veil awake and look. Where to look, on the center point of the eye, the real object, that is, on the eyeball. That is where the original hole and the upper hole are located. If one starts placing the mind in the real path hole inside this eyeball, the three impurities will be destroyed and destroyed, and a state of mindlessness will arise. When the state of mindlessness is reached, then only will the third eye, the eye of wisdom, begin to appear there. If the eye of wisdom appears and one is immersed in blissful ecstasy by seeing it constantly, one can conquer Eman, which is time, and time. This is the secret of great wisdom as told in Thirumantra Song 581.
The air that is condensed in the created nadi
By thinking of it, the Vallirail, who has taken up the head,
Vriddha and Balaravar, the Lord, are the feet of Shiva,
The feet of the blessed Nadar, the feet of the Amma, are true (Sivavakiyar)
The nine gates of the Allal, the nine gates that have been cut,
The one who has seen the one and five gates of the Solluvas, when they stand,
When the good gate is opened,
The one who has entered the gate of knowledge,
He who has seen the gate of the boundary,
Is not born again (Sivavakiyar-111)
The one who has placed his mind on the closed gate,
Look at himself who created it (Auvai Jna.ku.288)
Let the air that has been created,
Fulfill it with the sky (Auvai Jna.ku.252)
Uru means form. That formed form should be well-formed. That is, it should be large. It should be made to be large. The nadi is the suzhimunai nadi. It is located at the center of the divine essence. This suzhimunai nadi should be found and enlarged through the fire penance. The condensing air is the apana. The larger this suzhimunai nadi is, the more easily the apana air can be carried upwards. If we carefully focus on the suzhimunai nadi and bring the apana to the prana at the top of the skull through the fire penance, we can remain forever young, says Shivavakiyar.
In this way, the heat that can arise in the root, with the help of the nectar of the feet, should be carefully considered and directed towards the soul nest, with the help of the noble air of the feet, our Auvaitha sang, “The idea of raising the burning coal of the root with the feet.”
Good. We are giving many such wisdom talks and written forms on the website
@DrRudrashivadha & Vidhaikkul_Vidhai and on the website
www.bramagnanaporsabai.com. We cordially invite you to come and know all the activities of our Brahmanana Porsabai Gurukul.
Your Rudra Shivatha from Brahmanana Porsabai Gurukul, Salem.
May all beings live happily!
Tiruchirambalam!!
